A premise can be very short, but if someone describes a premise in a way that sounds generic or bland, that will reflect their view of the work itself: The soul of your movie is on the line with every draft. Each major incident in a story should have an effect on the characters and what they do, although it may not be immediate.
Updated August 18, 2018. The argument of the statements can be organized into premises and a conclusion. What else might push the character forward or backward?
It just needs to be true. Can you ever escape your fate?
My roadmap for idea generation starts and ends with premise. It's about these three questions: A premise can be very short, but if someone describes a premise in a way that sounds generic or bland, that will reflect their view of the work itself:. Keep your story promise.
Yes, the added benefit is that you may learn more about yourself. Work to expose it through scenes with characters in conflict. Romeo and Juliet could be told equally well in Verona, Italy, concerning nobleman and ladies as it can in the Bronx, concerning street gangs as it can with Garden-Gnomes.
A detailed but dull premise would imply a dull work: All humans are mortal. Now is the time to give a clearer idea of what the character wants and who is moving through the story with him or her. Writing can be a process of discovery. What are your arguments for and against the premise?